In the footsteps of the Eagle Huntress

On the western edge of Mongolia, The Adelaide Evaluation visits the Golden Eagle Pageant, which is experiencing an influx of tourism because of a exceptional former champion receiving international acclaim.

The descending aircraft casts its shadow over western Mongolia’s parched desert mountains dusted with the first snow of winter. Under us, the sporadic sight of white yurts – the circular tents recognized regionally as gers – of the area’s nomadic group offset the prevailing view of desolate brown chasms of cracked earth.

Wedged in the Altai Mountains simply 100 kilometres from the Kazakhstan border, the Bayan-Olgii province logs one of the lowest density populations on the planet, but for one weekend a yr it enjoys a statistical upwards jolt. At present my ATR 72 flight is at capacity, with 70 worldwide vacationers journeying to this unforgiving district for the annual Golden Eagle Pageant. For many, the roots of their pilgrimage to this landlocked nation could be traced to the actions of a single native: a teenaged woman named Aisholpan.

Two years in the past, English director Otto Bell introduced the world to Olgii schoolgirl Aisholpan in his award-winning documentary, The Eagle Huntress. Premiering at the 2016 Sundance Movie Pageant, the movie traced the quietly determined 13-year-old Kazakh as she pursued the region’s centuries-old tradition of training eagles to hunt foxes, wolves and different quarry for his or her fur. No mere bloodsport, the local nomad culture has historically relied on the furs for clothing, a buying and selling resource and for fortifying their gers towards the Mongolian winter’s abrasive sub-zero temperatures.

While The Eagle Huntress confirmed Aisholpan’s father Nurgaiv passing on his searching expertise to his daughter with a relaxed knowledge, not all locals have been depicted as being so supportive. Although Kazakh eagle searching might be traced again greater than a millennium, some elders have been ruffled by the reality a younger woman was taking over a traditionally male-dominated custom. Aisholpan answered the resistance with an act of delicate, dogged resolve: she beat out an solely male area at the 2014 Golden Eagle Pageant. To accentuate the coup, Aisholpan and her chook Aq Qattanari (‘White Wings’) notched up a document time in one occasion.

Finally awarded a BAFTA for greatest documentary in 2017, The Eagle Huntress was expertly underpinned by three powerful film tropes: cinematography capturing the nation’s inhospitable magnificence; an enticing and unlikely protagonist; and perhaps most triumphantly, a delicate show of defiance towards a hoary patriarchy. What began as a young woman’s fierce willpower to comply with in her father’s footsteps resulted in Time Out labelling Aisholpan “one of life’s trailblazers – a feminist pioneer”.

Quick forward a couple of years since The Eagle Huntress’ launch and Aisholpan’s group has been buoyed by an inflow in foreigner travellers. Along with round 80 eagle hunter rivals making their approach to the 2018 Golden Eagle Pageant on foot, horseback and by camel, approximately 1000 worldwide vacationers have travelled to a barren location on Olgii’s outskirts. A dustbowl valley resembling a Martian moon, the website was chosen virtually 20 years ago for pragmatic reasons: it was close to city and provided a strong mountain slope from where competing eagles might launch. Native police valiantly try to take care of parking order as cavalcades of incoming four-wheel-drives spit up dust, the grime blowing onto the ad hoc bazaar of local distributors who’ve arrange colourfully crude stalls of confectionery, jewellery and native furs.

In entrance of the flat bed truck doubling as a shaded vantage level for judges, VIPs and the MC, a roped off area marks out the exhibition zone for the pageant’s two-day programme. While additionally offering a showcase of other Kazakh traditions (including ‘kokbar’, a tug of warfare on horseback the place two riders tussle over a sheep carcass), it’s the eagle events drawing the largest crowds.

Olgii resident Dosjan Khaval has been to all 19 of the annual Golden Eagle festivals. A multilingual Kazakh, Khaval has spent a decade building an area travel firm and, as the head of Bayan-Olgii Tourism, is now a regional heavyweight. His enterprise has seen a favourable uplift off the again of The Eagle Huntress.

“Everyone is proud of Aisholpan because she has affected not only local Bayan-Olgii tourism, but also Mongolian tourism,” Khaval says. “Local people understand that a lot of tourists now have information about Mongolia because of her. In these days of social media more people are spreading the information about Aisholpan to the world and every year the number of tourists is increasing. Even on my summer tours now, most tourists have watched the movie.”

When the official figures are stripped of enterprise visits and international staff, Khaval says Mongolia’s annual tourism figure sits at simply 130,000 – less than the quantity Australia welcomed in a mean week in 2017. A calendar spotlight like the Golden Eagle Pageant offers the rural territory of Bayan-Olgii an necessary monetary increase.

“This year at the festival we were expecting around 1200 international tourists,” Khaval says. “When you add Mongolians, in total it’s up to 4000 people. Mongolians who live in other parts of Mongolia do not know about this culture, so a lot of people are interested in this and more are coming every year. I don’t think the Eagle Festival is going to just boom, but we have observed a slow increase.”

Inaugurated as a one-day event, the pageant schedule has expanded to 2 days as extra conventional Kazakh pastimes have been added to the roster. An alcohol ban has been introduced this yr after 2017’s pageant descended into drunken mayhem, with studies of intoxicated hunters falling from their horses, fights intermittently breaking out in the crowd and police resorting to tasers to cope with unruly locals.

A hunter able to launch

Whereas there’s a lingering factor of Wild West temperaments in play, the 2018 Golden Eagle Pageant brushes away last yr’s blemishes in favour of civic delight. Over the crackling tannoy, the weekend festivities kick off with a nod to the teen who has elevated give attention to this area: “Aisholpan, renowned throughout the world, has brought glory to our province”.

In the wake of Aisholpan’s success, extra native females are training eagles and competing in the Golden Eagle Pageant. Based mostly around 50 kilometres out of Olgii, 15-year-old Zamanbol trains eagles together with her father, Talap. While she fails to make it past the first round of competition this yr, Zamanbol proves well-liked photographic fodder for the intrusive black lenses of international travellers. Much more at house calling her eagle down from cliff crags than experiencing her horse being surrounded by photographers, there are moments when Zamanbol appears to be physically retreating behind her eagle for sanctuary from the SLRs. Dosjan Khaval suggests younger blood similar to Zamanbol and Aisholpan has revitalised a Kazakh talent that risked dying out earlier than the Golden Eagle Pageant was introduced at the turn of the century.

“Until Aisholpan, no other girls had entered the Eagle Festival as a huntress,” Khaval says. “After Aisholpan won, right from the second year, there were more young girls who tried to become an eagle huntress. Now there are maybe eight or nine girls that are trying to be like Aisholpan.”

The acclaim, spectacle and splendour of the Golden Eagle Pageant has additionally seen a rise in younger native boys following in the footsteps of their forefathers.

“The younger generation didn’t want to hunt with these eagles as it takes so much work,” Khaval explains. “You need to train the eagles, go up the mountain when it’s minus 35 degrees… With the eagle festivals, there’s been an increase in eagle hunters and there are many young teenagers also participating now. It continues our culture, plus of course it’s good for income because of tourists.”

The Eagle Huntress hasn’t simply resulted in monetary reward and cultural renewal. An Asian Assessment story in June this yr even advised the movie had played an essential position in the acceptance of Kazakhs within the Mongolian group. The minority group accounts for 100,000 residents in a national inhabitants of three million, with alleged racism blamed for historically retaining the Bayan-Olgii border province (where 90 per cent of the inhabitants are Kazakhs) out of political decision-making in the nation’s capital Ulaanbaatar. It’s a weighty assertion to be positioned on the shoulders of a high school scholar who merely confirmed a singular connection to her eagle.

As the finals to determine 2018’s champion eagle hunter progress in the area, I spot Bayan-Olgii’s most famous resident past the fragrant smoke of the kebab vendors. Astride her stocky bay mare, Aisholpan is superbly introduced in a standard outfit of white fox fur, embroidered pants and bejewelled leather-based belt. The heavy outfit is at odds with the 25-degree circumstances, however Aisholpan smiles serenely as her worldwide fans mill round for pictures. Despite Aisholpan attending the Golden Eagle Pageant this yr as a special guest quite than a competitor, there are not any officials retaining watch over their native dignitary. If the crowd turns into as unruly as 2017’s mob, the most well-known Mongolian since Genghis Khan only has her eagle White Wings to offer protection.


For almost an hour Aisholpan poses for vacationer pictures, apparently conscious of the energy her movie has had in displaying the world the magnificence and marvel of her homeland. She’s a one-woman worldwide export in a area with so few commodities they import from their Russian neighbours every thing from eggs to electricity.

Though her English is restricted, a translator relays some of Aisholpan’s feedback to her impromptu audience. The 17-year-old’s eagle regimen depicted in The Eagle Huntress remains unchanged as she completes her last yr of high school in Olgii. “I have school on Monday to Friday and during the weekend I practise with my eagle,” she says. “When I finish study I want to be a doctor.”

The success of The Eagle Huntress noticed worldwide schooling establishments scuttling to offer the gutsy Kazakh woman scholarships to attend revered universities in England, the United States and neighbouring Kazakhstan, nevertheless Aisholpan is but to announce the place she’ll research in 2019. In the meantime, she’s making the most of being in her arid homeland together with her eagle and her associates.

“The film had a big influence on my life,” Aisholpan says. ”My buddies are proud of me and they are glad that I let the world find out about our tradition.”

A day after the pageant, Dosjan Khaval reflects on Aisholpan’s success. 4 years after her Eagle Pageant win there’s still some local dissent over the ‘eagle huntress’ term as she’s never taken White Wings searching by herself, but her significance to the group is plain.

“People still treat her the same here and most of the people like her,” Khaval says. “Whatever they did with this movie, it was good for Mongolia as an advertisement.”

Khaval suggests Mongolia’s deficient infrastructure, dearth of human assets and fractious political stonewalling prohibit the creating nation from making the most of its tourist potential, however “every year more people get information about Mongolia and our services are getting better and better. In the future, I see there’s going to be more tourism.”

Hollywood isn’t finished with Aisholpan’s story, either. Khaval says Sony Footage are presently adapting the story of Mongolia’s famed eagle huntress right into a multi-million greenback cartoon.

“In Kazakh, ‘Ai’ means moon, ‘Sholpan’ means the first star which comes out in the evening,” Khaval says. “That is what ‘Aisholpan’ means.”

A exceptional mild in darkish occasions, Aisholpan’s star continues to shine.

Lead photograph is of Aisholpan. All pictures taken by Scott McLennan.

Related posts
accessibilityBlogbrowserChromeedgeFirefoxInternet ExplorersafariusabilityUXWeb

Group Labels Do Not Guarantee… Uniquity?

AdoreboardanalyticsBlogcustomer centricitycustomer experienceCXdata scienceemotion analysismarginal gains

Are Marginal Gains the Answer to Measuring Customer Experience? – Adoreboard Blog


Old Forge’s new passion: mountain biking


David Gibson On APA Appointments; Role of Statewide Interests –