Shyamalan’s new movie, The Visit, has been getting a lot of attention since it premiered over the weekend. In fact, it’s been getting attention since it was announced back in March, and that’s saying something when you consider the director is known for releasing movies that are completely different from what we’re used to. (See: The Sixth Sense, Unbreakable, The Village, and Signs.)
In a new entrant to the horror genre, Shyamalan’s new film Split is a classic “what if…” story where two individuals with monstrously different personalities are forced to co-exist. While the film is aimed at a younger and more mainstream audience, there is still a fair amount of fan service aimed at those who have followed his work.
After a string of largely underwhelming movies, many fans of the director were concerned about the quality of his latest. But as it turns out, Split has a few surprises in store, most notably a movie that feels like it was ripped from the mind of the director’s younger self.. Read more about old movie release date and let us know what you think.
Old is a frightening, enigmatic new thriller from visionary director M. NIGHT SHYAMALAN about a family on a tropical vacation that discovers that the isolated beach where they are resting for a few hours is somehow causing them to age quickly… compressing their whole lives into a single day.
Old’s origin started as a gift, very literally. M. Night Shyamalan’s three kids sent him Sandcastle, a gloomy, contemplative, thought-provoking 2011 graphic book by French writer Pierre Oscar Lévy and illustrator Frederik Peeters, for Father’s Day one year. The graphic book, which follows a group of individuals vacationing on a remote beach who find that they are quickly aging, piqued Shyamalan’s interest right away.
After completing his blockbuster “Eastrail 177” Trilogy, which began with Unbreakable in 2000 and continued with Split in 2016 and Glass in 2019, Shyamalan began work on the script for Old, transforming and elevating it into an existential thriller that grapples with some of humanity’s most eternal enigmas— mortality, regret, love, commitment, and the nature of time itself— an existential thriller. What would you do if you just had one day to live the rest of your life? Who would you spend it with? What would be most important to you?
Shyamalan wanted to heighten the suspense and feeling of impending doom for the protagonists while keeping the story’s perplexing mystery and frightening fear intact. “I wanted it to seem like you’re watching a two-hour Twilight Zone episode,” Shyamalan adds, “which I adore, the strangeness, trying to figure out what’s going on.” “I never wanted the audience to feel comfortable watching Old. Like the characters in the film, I wanted the viewer to be finding out one thing, then another, and then another.”
Time is both a blessing and a curse.
After booking a stay at a luxury tropical resort, a group of unfortunate tourists will experience a slew of strange events. Guy and Prisca Capa (Gael Garca Bernal and Vicky Krieps) are about to go on their final vacation together as a family with their 11-year-old daughter Maddox (Alexa Swinton) and six-year-old son Trent as Old opens (Nolan River). Guy and Prisca are getting divorced, but they haven’t informed their children yet.
The Capas are impressed by the high-end service when they arrive at the resort. The resort manager (Gustaf Hammarsten) and his assistant Madrid (Francesca Eastwood) welcome them with drinks made especially for them. The kids are equally ecstatic. Maddox is quietly observing the athletic adolescent guys all around her, while her extroverted brother Trent makes friends with a kid his own age. The two new friends even create their own visual language, a code that only they can understand, which they use to send each other secret messages.
Despite Guy and Prisca’s tensions, the Capas are ecstatic to get a special invitation to the resort’s private beach, and they and the kids are soon aboard a shuttle for a day of surf, sun, and sand. Another family joins them: Charles (Rufus Sewell), an ardent cardiothoracic surgeon, his elderly mother Agnes (Kathleen Chalfant), his considerably younger wife Chrystal (Abbey Lee), and their six-year-old daughter Kara (Kylie Begley). The driver drops them off at their goal, pulling over to the side of the road and guiding them to a trail that leads to the lake.
As the group on the beach expands to include not only the Capas and Charles’ family, but also a rapper known as Mid-Sized Sedan (Aaron Pierre) and long-married couple Jarin (Ken Leung) and Patricia (Nikki Amuka-Bird), it’s not long before an unknown dead woman washes up on the beach, and the adults quickly realize that they have no cell service, that they can’t call for help, and that they can
The clock is ticking.
Old is a film that takes the age-old narrative technique of the “ticking clock” to new heights. The protagonists figure that they are aging two years per hour, resulting in a life span of about 50 years compressed into a single day. As each effort to flee the beach fails, the characters must choose whether to spend the remainder of their lives trying, perhaps futilely, to free themselves or to accept the apparently inevitable and make the most of the time they have left.
Despite the dark and frightening events that befall the Capas and others stranded on the beach with them, Shyamalan is quick to point out that Old is not a horror film. Shyamalan adds, “I don’t create horror.” “I would never characterize what I do that way. There’s a feeling in horror films that death is a foregone conclusion. As I write, I keep attempting to envision the worst-case scenarios and then ask myself whether I could survive them as an emotional human being. Is it possible that I will be stronger as a result of this experience when I emerge on the other side?”
Shyamalan has a lengthy history of masterfully constructed, intellectual, and unexpected thrillers, going all the way back to his Academy Award®-nominated smash debut The Sixth Sense in 1999. Still, according to his closest colleagues, Old is one of the most ambitious projects the experienced director has ever undertaken.
“I told him, ‘This may be your craziest concept yet,’” recalls Shyamalan’s long-time producing partner Ashwin Rajan. “This is without a doubt one of the most difficult films he’s ever worked on. He’s returned to what first motivated him as a storyteller: presenting small, character-driven tales with a massive danger at their center and examining how these individuals cope with it as characters.”
For the first time, Shyamalan is working outside of the United States, and outside of Philadelphia, which has served as the setting for both his previous films and his current Apple TV+ series, Servant. The Dominican Republic was used to shoot Old. Old producer Marc Bienstock, who previously produced Shyamalan’s films The Visit, Split, and Glass, says, “We’ve taken Night and his narrative out of his hometown and we’ve gone to a new nation.”
The outcome, according to veteran executive producer Steven Schneider, who previously executive produced The Visit, Split, and Glass, is a picture unlike any other ever created. “The most amazing thing about Old is how much Night is juggling here,” adds Schneider. “The graphic book is more of a mood piece, a loosely structured existential parable,” says the author. Night was able to get access to it and make it his own. Every character’s journey is unique. He has the ability to create a profound and unique narrative that is packed with universal themes. This is especially true today. He is obsessed with capturing the extraordinary, frightening, strange, and bizarre on screen.”
Shyamalan also felt strongly that the characters in the picture should come from all corners of the world, so he went out to cast Old with dynamic actors from a variety of ethnic and national origins to give a deeper depth of character and authenticity to this fascinating tale.
Shyamalan adds, “Every picture I make needs to reflect something about where I am right now, and where I am right now is honoring the fact that I’m an immigrant.” “I simply silently pushed it out of my mind for the rest of my life. In the United States, I create films. I was born in the Indian state of Puducherry, and I’ve had the good fortune to share tales to people all around the globe while working in Hollywood. To have a cast with a Mexican accent, a German accent, and an English accent to reflect that? It’s really lovely.”
As some of you may know, the name of Shyamalan’s latest movie is “The Visit”, which is a little off from the title that was originally intended for the movie, “The Village”. According to Shyamalan, the name was inspired by the short story “Old” by Ambrose Bierce, which is the premise for the movie. “The Visit” is about a mother who thinks her family is visiting her when in fact her son’s family is visiting her, and she slowly realizes she isn’t as young as she thought she was.. Read more about old m night shyamalan and let us know what you think.
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